Inhalt \/ Content<\/a><\/p>\nISBN:\u00a0978-3-935012-69-0
Preis: 57,00 \u20ac
\u00a9 PeWe-Verlag 2024<\/p>\n
[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_column_inner saved_specialty_column_type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_button button_url=“@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI4NyJ9fQ==@“ url_new_window=“on“ button_text=“BUCH ANFRAGEN“ button_alignment=“left“ _builder_version=“4.16″ _dynamic_attributes=“button_url“ custom_button=“on“ button_text_size=“19px“ button_text_color=“#349fd8″ button_border_radius=“12px“ button_font=“Antic||||||||“ button_icon=“R||divi||400″ button_icon_color=“#29b71f“ transform_translate=“-3px|-51px“ filter_saturate=“110%“ filter_brightness=“109%“ global_colors_info=“{}“ theme_builder_area=“post_content“][\/et_pb_button][et_pb_button button_url=“@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI4NyJ9fQ==@“ url_new_window=“on“ button_text=“REQUEST BOOK“ button_alignment=“left“ _builder_version=“4.16″ _dynamic_attributes=“button_url“ custom_button=“on“ button_text_size=“19px“ button_text_color=“#349fd8″ button_border_radius=“12px“ button_font=“Antic||||||||“ button_icon=“R||divi||400″ button_icon_color=“#29b71f“ transform_translate=“-3px|-51px“ filter_saturate=“110%“ filter_brightness=“109%“ global_colors_info=“{}“ theme_builder_area=“post_content“][\/et_pb_button][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.27.4″ text_font_size=“17px“ transform_scale_tablet=““ transform_scale_phone=““ transform_scale_last_edited=“on|phone“ transform_translate_tablet=“102px|-31px“ transform_translate_phone=“115px|-47px“ transform_translate_last_edited=“on|phone“ transform_rotate_tablet=““ transform_rotate_phone=““ transform_rotate_last_edited=“on|phone“ transform_skew_tablet=““ transform_skew_phone=““ transform_skew_last_edited=“on|phone“ transform_origin_tablet=““ transform_origin_phone=““ transform_origin_last_edited=“on|phone“ transform_styles_last_edited=“on|phone“ text_orientation=“justify“ width=“120%“ width_tablet=“100%“ width_phone=““ width_last_edited=“on|tablet“ custom_margin=“|||-117px||“ custom_padding=“|0px||0px||“ hover_enabled=“0″ transform_styles_tablet=““ transform_styles_phone=““ text_text_align=“justify“ global_colors_info=“{}“ theme_builder_area=“post_content“ sticky_enabled=“0″]<\/p>\n
Zu den in \u00e4gyptischen Tempeln dargestellten Handlungen des K\u00f6nigs geh\u00f6rt eine Gruppe von Ritualszenen, die in der \u00e4gyptologischen Literatur unter dem Begriff \u201eOpferlauf\u201c bzw. \u201eKult\u00adlauf\u201c zusammengefasst werden, da der K\u00f6nig als Ritualist in diesen Szenen eine Laufhaltung annimmt. Hierzu geh\u00f6rt auch der sogenannte \u201eVogellauf\u201c, bei dem der laufende K\u00f6nig einen Vogel sowie einen oder mehrere Zepterst\u00e4be h\u00e4lt. Die Darstellung dieser Handlung tritt in den Tempelanlagen der 18. Dynastie erstmals auf und wird fortan in der Tempeldekoration bis in die r\u00f6mische Zeit \u00fcberliefert.
Die vorliegende Studie untersucht die Symbolik dieser Handlung, unter anderem auch die bis\u00adher noch nicht befriedigend zu beantwortende Frage, welche symbolische Bedeutung die Laufhaltung besitzt. Der gefundene L\u00f6sungsansatz f\u00fcr dieses Problem f\u00fchrt zu der Deutung zweier anderer Kultl\u00e4ufe, n\u00e4mlich des Vasen- und Ruderlaufes.<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=“4.27.4″ text_font_size=“17px“ transform_scale_tablet=““ transform_scale_phone=““ transform_scale_last_edited=“on|phone“ transform_translate_tablet=“106px|-26px“ transform_translate_phone=“110px|-40px“ transform_translate_last_edited=“on|tablet“ transform_rotate_tablet=““ transform_rotate_phone=““ transform_rotate_last_edited=“on|phone“ transform_skew_tablet=““ transform_skew_phone=““ transform_skew_last_edited=“on|phone“ transform_origin_tablet=““ transform_origin_phone=““ transform_origin_last_edited=“on|phone“ transform_styles_last_edited=“on|tablet“ text_orientation=“justify“ width=“120%“ width_tablet=“100%“ width_phone=““ width_last_edited=“on|phone“ custom_margin=“|||-117px||“ custom_padding=“|0px||0px||“ hover_enabled=“0″ transform_styles_tablet=““ transform_styles_phone=““ border_width_top=“1px“ border_color_top=“#349fd8″ text_text_align=“justify“ global_colors_info=“{}“ theme_builder_area=“post_content“ sticky_enabled=“0″]<\/p>\n
<\/p>\n
The king’s actions depicted in Egyptian temples include a group of ritual scenes that are summarized in Egyptological literature under the term \u201csacrificial run\u201d or \u201ccult run\u201d, as the king as ritualist adopts a running posture in these scenes. This also includes the so-called \u201cbird run\u201d, in which the running king holds a bird and one or more sceptre sticks. The depiction of this action first appeared in the temples of the 18th Dynasty and was handed down in temple decorations until Roman times.
\nThis study examines the symbolism of this action, including the question of the symbolic meaning of the running posture, which has not yet been satisfactorily answered. The solution found to this problem leads to the interpretation of two other cult races, namely the vase race and the oar race.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Wolfgang WaitkusZur Bedeutung des Vogellaufes. Nebst einer Deutung des Vasen- und Ruderlaufes.Aegyptiaca Hamburgensia \u2014 Band 5 Format: 29 x 21 cm \u2014 HardcoverUmfang:\u00a0170 Seiten, mit 41 Abbildungen und Tabellen Inhalt \/ Content ISBN:\u00a0978-3-935012-69-0Preis: 57,00 \u20ac\u00a9 PeWe-Verlag 2024Zu den in \u00e4gyptischen Tempeln dargestellten Handlungen des K\u00f6nigs geh\u00f6rt eine Gruppe von Ritualszenen, die in der \u00e4gyptologischen Literatur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3139","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=\/wp\/v2\/pages\/3139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3139"}],"version-history":[{"count":7,"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=\/wp\/v2\/pages\/3139\/revisions"}],"predecessor-version":[{"id":3148,"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=\/wp\/v2\/pages\/3139\/revisions\/3148"}],"wp:attachment":[{"href":"https:\/\/www.pewe-verlag.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}